Piggy Bank Brainstorm

Your dream is a creature that you have to feed. The creature is actually a part of yourself. For the bank to say thanks makes it feel like a separate entity. It is better for it to feel like a separate entity or yourself. Perhaps the bank could give a sense of accomplishment. What about it being a pet. You take your dog for a walk and it wags it's tail. You pet you cat and it purrs. These are a kind of small thank you that you put the effort in. Some kind of friendship. The friendship however cannot be fake. And it cannot be clear that the thing is supposed to manipulate you like this. To create a true emotional attachment it cannot be forced, it has to grow organically from a series of positive experiences. With humans this kind of purr is a smile or a giggle. So what you it be for an inanimate object? A giggle is to say you are on the same page, we know what we're both doing together, and we're enjoying it. how would an object giggle? t could say yay. It could make you laugh with it. It could make you smile. Because you are the one who should be thanked, and thankful. It kind of being thankful to yourself for taking good care of yourself. Smiling is contagious. If a smile can induce a smile, it could be said that the thing that induces a smile is also a smile.

A smile

The thing just has to smile. How should it smile? It should be a physical act, and not a picture or representation to make it more emotional. In addition to make it personal, something that everyone can have but can be still taken as their own, it should have a personality. It could be moody, it could be that if you don't give it a coin for a couple of days that it is even more appreciative to have one. But if it smiles even bigger this might be incentive to not put coins in for a while. Why is a purr so nice? Maybe because the thing is soft and cuddly, and when it purrs it gently rumbles a fitting but somewhat surprising action. Why is a tail wag so nice? The speed and intensity can tell you a about its feelings. It can be funny, when it wags it's tail so hard that it's whole body wags too.

Is this too literal to be object love? When it seems to fake or forced it doesn't work. The ipod has the hardware which is standard, and the software which is personalized. This might be playing too much with robotics like the furby or something.

What if it did it's kind of smile every once in a while, just to get your attention.

Ornament und Verbrechen

People like the style of older things. They like to carry these styles over to new technologies, and materials, where they just don't fit. As Ayn Rand pointed out in The Fountainhead Everyone then was trying to make a wood or cement column look like a greek column which from it's nature was intended to be carved from stone. As Adolf Loos implies in Ornament und Verbrechen a farmer who cannot afford more than straw chairs, should not pretend that his straw s mahogany, but be proud of it for what it is, and use the straw in the most fitting way for it's own characteristics.

But people still like old styles from an emotional point of view. It is comforting not to have something too new. So how do you keep this emotional attachment, and still make new advances in design that follow the new advances in material, but still attract the attention of the history loving public. Perhaps the best way is to understand the reasoning behind the previous styles you are tempted to imitate, what was is about them that the people so loved? How could those characteristics be carried over without carying over the exact visual ornamental style? How could those characteristics be built into the new innovations?

By using emotions and goals to communicate a visual style, rather than the exact visual characteristics, one will see that there are many ways to express these characteristics without copying the "look and feel" of the old pieces.

However, better than copying the motives, new motives should be searched out. What will hit the nerve of the modern person in a new way? If the old goals fulfilled certain parts of the societies wants, what kind of wants are there today, and how can they be fulfilled in a new way?

Cool flea market stuff

I found this teacup a little while ago, and thought it was perfect for my roommate who was mourning the loss of her favorite tea cup on our tile floor. Nice!

Corpses of good friends

I may have made this card to get out of cleaning my ashtray, but I kind of think there might be truth in it. (Says as she is smoking a cigarette and typing)

Walden

"I am convinced, both by faith and experience, that to maintain one's self on this earth is not a hardship but a pastime, if we will live simply and wisely; as the pursuits of the simpler nations are still the sports of the more artificial."

WaldenHenry David Thoreau

The odds that I lived

Use the world factbook to calculate the odds that I lived and translate that into a creation.

Knitting Statistics

Knit a blanket where every stitch is representative of a statistic. Every stitch could be one person who died, every stitch could be, one person on the earth, it would be an immense project to stitch 6.6 billion stitches, it could be a worldwide project. But I have already stitched 31,640 stitches into my the first third of the current scarf I'm knitting, it has taken me about 24 hours to create this. Use the CIA world factbook as a source for the statistics.

Now that you can do anything, what are you going to do?

Thinking philosophically about where I want to go with design.

Use design to enhance my understanding about the world, use my understanding of the natural world in my designs. Abstractions of deeper concepts about life. Create designs that inspire wonder. Communicate what I understand about life through my designs. Make sure there is a good reason why behind every design I make. A why that somehow goes deeper than the money, and makes my invested time valuable. Learn something greater while creating every design.

is home-making design?

Hmm, well if it is then I've been doing a lot lately, but if it isn't then there hasn't been much going on. I have lately, made a very successful thanksgiving dinner, baked lots of stuff (aka apple pies, cakes, cookies, and so forth) cooked somewhat extensive meals, been knitting a lot, bought a sewing machine, and decorated the kitchen of our dorm, and am in the process of making christmas ornaments. I have been told that I am nesting and my friends at work are convinced that I will be getting married in the near future. Don't tell my boyfriend (of 2 months) that. Don't know what else to say, what a let down, after having said nothing for practically 2 months. I'll try to be more entertaining next time.

Mutations Assignment

Here are the cards of the assignment for Mutations of Communications, in case anyone is interesting in trying it for themselves. Or ifyour just interested:

Bach's Suite no. 1

I've recently been listening to slightly more classical music than before, which means about one song a week, instead of none. But I have to say that my ear is coming quickly, I am already recognizing songs, and the different styles of the different composers. I don't know what this has to do with design, but I have noticed that being preoccupied with a theme usually finds it's way into my personal designs. My personal favorite at the moment is Bach's Suite no. 1. The transition between fast, and slow motion of the reminds me so much of life, perhaps how time is flowing, how some moments seem to fly by, while some seem to stand still so that we can appreciate them, or dispise them (seems there is no preference time will slow for either of these extremes). Anyway, very beautiful music, I am excited to hear more from Bach!

Product Love

I am currently in the preparation and research process of writing my Vordiplom (intermediate exam). It will consist of three theses on themes of my choosing, and a final product corresponding to the main theme. Two of my themes are settled. The first of which being "Product Love" about the kinds of relationships that we build with objects, and how they are formed. I am busying myself the most with this theme at the moment, since I now have to prove that I can tackle such a large theme, in showing literature lists, and a partial outline of how I intend to tackle the theme.

The other topic is Eco-Porn. How we may pervert nature, and our perception of nature through idealized images of it. I am going to be writing this thesis in German! Which is really exciting and scary for me, I am not sure what is going to come, but I hope that I am happy with the outcome of it. I also have some information colleced on this theme, it should be very interesting and fun to investigate!

My Library

I expressed earlier my desire to have a library with books and papers, every page of which I had read of written, it would be my brain, and all the literature that influenced it, in one room. Yesterday I was discussing this dream with my boyfriend, and realized that this library will probably never be able to be my own. If I share my library with my future spouse or companion, some of those books and ideas will be his. This thought seems very unattractive to me, and I now get images of separated libraries, or separated shelves of his and my books. Will I ever be able to share my books. When or if I do it will be a meaningful event. It will mean that I am finally capable of sharing my life with someone, and also my thoughts, molding us into a single, and collective mind.

Product photography

How can we create creative evocative pictures of our product designs? You know, not an object on a solid background. Here's a bit of brainstorming, haven't used any of it, but I think I'm going to play around photographing some of my favorite things.

Check out the ID magazine archives, sometimes they have interesting product photography.

Look at exhibition designs for inspirations on how to photograph the products, it's just a still display of the picture.

Remember Ms. Baileys photo class: the assignment where we got an object and had to then make a series of photos with the object in it. Remember Paige's barbie inside kitchen appliances photo series? What did that say about the barbie, and what did it say about the appliances she was jammed into. Take your product and give yourself that assignment. Think of a thorough concept for the shoot, give your object some kind of odd juxtaposition. Give it a life. Give it a different environment than you'd traditionally think of that says something about the object itself, and about the environment around it.

Amelie's travelling gnome. What does this do for the gnome? It animates it in a way you wouldn't expect, with a few hand scribbled notes it seemed like the gnome had taken a vacation of his own.

Check out Philip Toledano's work again, nice photos, you might get some ideas. What about product photographs without the product in it? Like the video game pictures, the faces on the people says enough about the game, you hardly have to show it. Okay, might be too far for a portfolio, but interesting.

Look at other experimental photography for inspiration, take out the subject of the photo, and put your product in it. Check out the lomography website for more ideas.

Possesions

"Let us grant that our everyday objects are in faact objects of a passion - the passion for private property, emotional investment in which is every bit as intense as investment in the 'human' passion.... Apart from the uses to which we put them at any particular moment, objects in this sense have another apect which is imtimately bound up with the subject: no longer simply material bodies offering a certain resistance, they become things of which I am the meaning, they become my property and passion"

-The system of objects

Wabi-sabi

"Artfully obscured exotic concepts like wabi-sabi also made good marketing bait. Obscuring the meaning of wabi-sabi, but tantalizing the consumer with glimpses of its value."

Like starbuks coffee, or other so called "lifestyle" products, which give you the feeling that you are getting something more than an object, a collection of molecules - something higher, and better, almost impossible to forge. The secret and success of such products is that the extra something remains undefined, allowing the consumer to redefine it for themselves everytime they consume the product. The consumer then can associate any beauty in the laws of the world, light, or sound, experiences or feelings, things that are inevitably incapturable as a whole, and then bind this with the product itself. You don't have to then bind these beautiful things with with objects, you have to allude that they are bound to the object, and the consumer will do it for themselves.

Ode to Books

A book for me represents a future. I buy the books that I read when I can afford it. I dreamt as a child of having an extensive personal library, in which I had read every book that sits on the shelves. I dreamt of having a library of my own mind. It would be extensive with shelves and shelves of books, but also with card files of all the quotes I had written down from the books. It would have filing drawers full of essays I had read, and written. CDs of all the information radio I had heard.

This is a dream I still intend to uphold.

I love the feeling of buying a new book, it is the hope for myself. That I will become something better. That my mind will stretch further beyond any point I could have imagined. A book holds a future of thought for me, and my book reading rituals exemplify that. I buy a book, and have a special stack of books bought, and not yet read. Some of the books in the stack have been read halfway through, but remain in the stack until the last page has been finished. I mark the margins of my books, not worrying about making intelligent of even complete comments. Sometimes its just a keyword, often, Spencer. When the train of thought from the books runs parallel with, or merges with a path that my own mind has taken. After or sometimes during the reading of the book I go through all the marked passages, and copy them onto notecards. I learned this technique in my senior humanities class. A technique for writing research papers. A way of conglomerating the important parts of the book into tangible, and movable parts, like movable type, the ideas can be arranged and mixed from different sources into a new pattern and order with a different meaning. When the book is finished I put it into my bookshelves. It is a kind of celebratory ritual for me. Celebrating and embracing my new knowledge, and putting aside to rest.

Books have also become an important part of my mind. I often find myself thinking of passages that relate to the events or ideas that I encounter during the day. Depending on the situation I either quote or summarize the passage from the book, or I revisit the passage later that night, pondering on the meaning and connection. Why I made the connection at that point, and how I might be getting closer to understanding the world. I remember specifically having a conversation in my living room during my first date with my former boyfriend. And for some reason, I pulled out the book Walden and read passages to him. What a nerdy, and completely sweet and vulnerable thing for me to do.

I like to have the books after that fact for just that reason, if I have them, I go back to them, they slowly integrate into my life and my thoughts, and become a bigger part of me. Most of my books are stored at my parents home at the moment, for reasons having to do with my semi-nomadic international lifestyle at the moment. And the fact that they aren't here with me makes me sad sometimes. Not a physical sadness that would show in a facial expression, but a really deep and gentle pain and nostalgia for them. Because they are a part of me. They are a part of my mind, made permanent with ink and paper. They are a connection between me and the author that could only happen through this media, as personal sometimes as a letter between lovers. And they are a connection between me and everyone else in the world who has ever read and connected to the book. I belong then in a net of people, we don't even know who eachother are, but when we find eachother by mistake or happenstance it's like a reunion, we know that we are common to eachother, and that if only in some small way, we are connected to eachother without even having known it.

Days like this

It is on days like this that I realize the puny size and capacity of a single human brain compaired to the expanses of information that exist in the universe. I just want to learn everything, and at the same time I know that it is impossible. Isn't this what the human life is about? Wanting what we know that we can't have?

Being and Time

I want to be one of those peoples who dies with an unfinished project on their desk, that at some point after their death people wish that the work had been finished.

Mutations of Communication

In the past week I participated in a short-term programme at the Köln International School of Design, under the leadership of guest professors Tina-Henriette Kristiansen, and Anne-Elisabeth Toft of Denmark. The title was Mutations of Communication, and honestly as the 16 participants gathered in our classroom to begin the project, we didn't know what to expect.

The guest professors were extremely well prepared with a concrete assignment (something traditional KISD professors might learn to do better). We began the project with a short presentation on the concept of bodily mutation. We discussed what could be considered mutation (everyone) and how mutation works in the human body.

We were then paired into teams (I worked with Mathilda Oluoch) and given artefacts to work with. The project was exucuted in steps, with specific rules of mutations that we were requred to follow in each step, with each new mutation building off of the final product of the last step, in order to allow a generational growth of the objects. We were instructed not to think about beauty or function at all during the project, just to follow the principles given.

The steps of the project were as follows:

Photograph the artefact
Name the artefact and it parts
Draw the original artefact, "wildtype", in a detailed and accurate technical drawing (or render in 3D)
Mutation 1: Duplication
Mutation 2: Translocation (switching features of the object with eachother)
Mutation 3: Insertion (duplicate feature, or add features from a nearby object - in other words the area of the body where the artefact meets the body)
Mutation 4: Deletion (can also be fusion of parts)
Mutation 5: Multiple Choice (bring the artefact and the body back together, and Design. Here we were allowed the freedom to think more creatively, use all of the mutation principles and also think about function and form a little bit more. Although the end result was required to make sense in terms of it being a further generation of the product before
Finally, build a model of the final design

To accomplish this all in 5 days was quite a feat. Many of us were in the work room morning to night, every day (I only slept a few hours every night). But the end result was fantastic, the students and teacher at KISD were all very enthusiastic about the results, and we were asked to display our results for the Long Night of the Museums in Cologne.

Original Artefact




Wildtype
We drew the original artefact by hand, but later decided that using Illustrator would be a more simple, and correctable choice.


Mutation 1: Duplication


Mutation 2:Translocation


Mutation 3:Insertion


Mutation 4:Deletion


Mutation 5:Multiple Choice